Tuesday 9 September 2008

AC/DC make Aussie rock history

THERE may be a spike in chiropractor appointments after a Fathers' Day spree propelled six AC/DC albums into the top 50.


Acca Dacca created ARIA chart history yesterday as the only act to have six records in the top 50 as the Aussie rockers prepare to release Black Ice, their first record in eight years, on October 18.

The band's catalogue has been discounted to allow fans to update their collections.



Rock out: Hear AC/DC's fresh single

Leading the chart charge was the 1975 record, TNT, which leapt into the No. 20 spot. The band's 1990 album The Razors Edge is No. 26, 1979's Highway To Hell at No. 27, 1976's Dirty Deeds Done Dirt Cheap at No. 28, 1986's Who Made Who at No. 30 and 2000's Stiff Upper Lip at No. 45.

U2, Elvis and Bon Jovi suffer steamrolled the charts with multiple releases before, just that was across the top 100.

The band also rule ARIA's medicine DVD chart with their No Bull DVD came in at No.1 and Stiff Upper Live re-entered the graph at No.2.��





More info

Saturday 30 August 2008

Mp3 music: Sutekh






Sutekh
   

Artist: Sutekh: mp3 download


   Genre(s): 

Techno
New Age
Dance

   







Sutekh's discography:


Live @ Infamous Labels Batofar
   

 Live @ Infamous Labels Batofar

   Year: 2002   

Tracks: 1
Incest Sutekh Live
   

 Incest Sutekh Live

   Year: 2002   

Tracks: 15
Fell
   

 Fell

   Year: 2002   

Tracks: 9
Deposited Trails
   

 Deposited Trails

   Year: 2002   

Tracks: 2
Periods Make Sense
   

 Periods Make Sense

   Year: 2000   

Tracks: 11






West Coast observational techno producer Seth Horvitz has recorded for several of the electronic world's to the highest degree respected labels, including Germany's Force Inc and Mille Plateaux, plus California's possess Drop Beat and Cytrax. A fan of dance since his early-'90s college geezerhood at Berkeley, Horvitz began experimenting with electronics and DJing in 1992 and released his number 1 material triplet age later, on the Swivel compiling released by local label Belief Systems, which is connected to Horvitz's label, Context. His button schedule expanded with work for other Bay Area labels, including Cytrax and Delay, and in 1998 he released the Grippe EP on Drop Beat. The split freeing Expressionless Escapement (with Twerk and Safety Scissors) likewise appeared that class on Belief Systems. During 1999, he recorded the Miasma EP for Force Inc, and readied his debut full-length for Mille Plateaux. The consequence, Periods Make Sense, appeared in early 2000. Contributions to the number 1 deuce volumes of Clicks + Cuts followed, as did a geminate of tracks for Theorem's THX series and, in 2002, the "springy" record album Incest.






Wednesday 20 August 2008

Download Dave Matthews Band mp3






Dave Matthews Band
   

Artist: Dave Matthews Band: mp3 download


   Genre(s): 

Alternative
Rock
Pop: Pop-Rock
Rock: Pop-Rock
Blues

   







Discography:


Live At Piedmont Park (cd3)
   

 Live At Piedmont Park (cd3)

   Year: 2007   

Tracks: 2
Live At Piedmont Park (cd2)
   

 Live At Piedmont Park (cd2)

   Year: 2007   

Tracks: 9
Live At Piedmont Park (cd1)
   

 Live At Piedmont Park (cd1)

   Year: 2007   

Tracks: 9
Weekend On The Rocks (CD 2)
   

 Weekend On The Rocks (CD 2)

   Year: 2005   

Tracks: 9
Weekend On The Rocks (CD 1)
   

 Weekend On The Rocks (CD 1)

   Year: 2005   

Tracks: 8
Stand Up
   

 Stand Up

   Year: 2005   

Tracks: 14
Warehouse 8
   

 Warehouse 8

   Year: 2004   

Tracks: 8
The Gorge (CD 2)
   

 The Gorge (CD 2)

   Year: 2004   

Tracks: 6
The Gorge (CD 1)
   

 The Gorge (CD 1)

   Year: 2004   

Tracks: 8
The Central Park Concert (CD 3)
   

 The Central Park Concert (CD 3)

   Year: 2003   

Tracks: 8
The Central Park Concert (CD 2)
   

 The Central Park Concert (CD 2)

   Year: 2003   

Tracks: 6
The Central Park Concert (CD 1)
   

 The Central Park Concert (CD 1)

   Year: 2003   

Tracks: 6
Some Devil (CD 2)
   

 Some Devil (CD 2)

   Year: 2003   

Tracks: 5
Some Devil (CD 1)
   

 Some Devil (CD 1)

   Year: 2003   

Tracks: 14
Live At Folsom Field Boulder Colorado (CD 2)
   

 Live At Folsom Field Boulder Colorado (CD 2)

   Year: 2002   

Tracks: 10
Live At Folsom Field Boulder Colorado (CD 1)
   

 Live At Folsom Field Boulder Colorado (CD 1)

   Year: 2002   

Tracks: 11
Busted Stuff
   

 Busted Stuff

   Year: 2002   

Tracks: 11
Everyday
   

 Everyday

   Year: 2001   

Tracks: 12
Listener Supported (CD 2)
   

 Listener Supported (CD 2)

   Year: 1999   

Tracks: 10
Listener Supported (CD 1)
   

 Listener Supported (CD 1)

   Year: 1999   

Tracks: 10
Before These Crowded Streets
   

 Before These Crowded Streets

   Year: 1998   

Tracks: 10
Crash
   

 Crash

   Year: 1996   

Tracks: 12
Under The Table and Dreaming
   

 Under The Table and Dreaming

   Year: 1994   

Tracks: 12
Remember Two Things
   

 Remember Two Things

   Year: 1993   

Tracks: 10






The South African vocalist/guitarist Dave Matthews formed the Dave Matthews Band in Virginia in the early '90s. Featuring Matthews, Stefan Lessard, Leroi Moore, Boyd Tinsley, and Carter Beauford, the group's music presents a more pop-oriented version of the Grateful Dead crossed with the worldbeat explorations of Paul Simon and Sting. The band built up a virile pipeline following in the early '90s by touring the area invariably, concentrating on college campuses. In addition to amassing a sizable following, their self-released album Remember Two Things sold well for an independent release; soon, they were attracting the care of major league. Signing with RCA, the Dave Matthews Band released their major-label debut, Under the Table and Dreaming, in the fall of 1994. By spring of 1995, the record had launched the slay single "What Would You Say" and sold over a meg copies.


A year and a half after the release of Under the Table and Dreaming, the record had sold over four-spot million copies in the U.S. lone. In April of 1996, the Dave Matthews Band released Ram, which entered the charts at number two and quickly went platinum. Throughout 1996, the radical toured behind Crash, sending it to double-platinum status. Also in 1996, Matthews launched an attack on bootleggers in concurrence with the Federal Government, targeting stores that were merchandising semi-legal discs of live performances. The efforts of Matthews, his banding, and his management resulted in an unprecedented crackdown on bootleggers in early 1997 -- with closely all of the major foreign bootlegging companies set under apprehend by the United States -- thereby putt a moratorium on the entire underground industry.


To further combat the bootleggers, Dave Matthews released an official double-disc live album, Live at Red Rocks 8.15.95, in the fall of 1997. It was an unexpected success, debuting at issue trey on the charts and selling a zillion copies inside the beginning quintet months of its release. The vital record paved the representation for the April 1998 vent of Earlier These Crowded Streets, the group's virtually challenging album to date. Another live try, Hearer Supported, followed a yr by and by. Summer tours as well jammed the late '90s, with sold-out shows crossways the U.S. The new millennium, tied so, saw the banding back in the studio with Glen Ballard to book its one-fourth studio apartment album -- Everyday, issued in February 2001. Although democratic, it was overshadowed by rumors of a darker album recorded with Steve Lillywhite in 2000 simply at long last spurned; the lot finally chose songs from the school term, did some re-recording of others, and released the results as in July 2002 as Broken Stuff. Its debut individual, "Where Are You Going," was too featured on the soundtrack to the Adam Sandler interchange Mr. Deeds.


In 2003, Matthews released his kickoff solo album, the dwight Lyman Moody and pensiveness Some Devil. A "Dave Matthews and Friends" term of enlistment followed -- his "friends" being Trey Anastasio, Brady Blade, Tony Hall, Ray Paczkowski, and Tim Reynolds -- and the album's individual, "Gravedigger," earned Matthews the Grammy Award for Best Male Rock Vocal Performance. The Dave Matthews Band was endorse on the road in 2004, and besides released more alive material. They too joined Bruce Springsteen's Vote for Change term of enlistment toward the end of the year, just as their mail-order-only DMB Live Trax series debuted. In other 2005, they launched a internet site that featured progression reports on their following album in the phase of video footage, diaries, and soundbites. When the blemished Rack Up in conclusion appeared in May, it was the band's kickoff album of all-new corporeal since 2001's Daily. Weekend on the Rocks, another live adjust, followed Stand Up at the end of the year. In 2006 the two-disc compilation The Best of What's Around, Vol. 1 presented one phonograph book of antecedently released studio material and i of unreleased live recordings. The yr 2007 institute Matthews and Tim Reynolds touring Europe and then America. Work had too begun on a new Dave Matthews Band studio album.





THE AIRBORNE TOXIC EVENT

Sunday 10 August 2008

Rwake

Rwake   
Artist: Rwake

   Genre(s): 
Metal: Doom
   Metal
   



Discography:


Voices Of Omens   
 Voices Of Omens

   Year: 2007   
Tracks: 9


If You Walk Before You Crawl, You Crawl Before You Die   
 If You Walk Before You Crawl, You Crawl Before You Die

   Year: 2004   
Tracks: 8


Hell Is A Door To The Sun   
 Hell Is A Door To The Sun

   Year: 2002   
Tracks: 7




Locking horns somewhere betwixt the worlds of Southern gunk and art metallic element (well, Arkansas-style anyhow), the band known as Rwake formed in Little Rock round 1997, recording their first-class honours degree manifestation the following class, and self-releasing a arcsecond, entitled Absence Due to Projection, in 1999. Another tierce long meter passed before the comer of Rwake's first gearing proper record album, The pits Is a Door to the Sun, and another long-player, If You Walk Before You Crawl, You Crawl Before You Die, was completed for dismissal through and through At a Loss Records in 2004. At this juncture, the group's batting order consisted of Chris Terry (vocals), Gravy (guitar), Kiffen (guitar), Reid (sea bass), Jeff (drums), and B. (Moog/vocals/samples).





mp3 files downloads

Tuesday 1 July 2008

David Bowie - Bowie And Legend Sign Petition Against T-rex Tribute Band


Stars including DAVID BOWIE and BILL LEGEND have signed a petition against a T-REX tribute group marketing itself as the defunct Seventies band.

The impersonating band have called themselves T-Rex, with the subtitle A Celebration of Marc and Mickey, after original T-Rex stars Marc Bolan and Mickey Finn.

And now a petition to halt the band has been signed by 500 people including former T-Rex drummer Bill Legend, rocker David Bowie, and record producer Tony Visconti, who worked with Bolan in the studio.

He says, "For a bunch of old guys to go around calling themselves T-Rex is outrageous. The only link they have to the original is through one member, Paul Fenton, a second drummer with T-Rex for a short period of time.

"This sets a dangerous precedent. What's next? When Paul MCCartney dies, will a group emerge calling themselves The Beatles?"

But the band insists they created their act in a bid to honour the Get It On hitmakers.

Manager Barry Newby says, "Mickey wanted the band to continue after his death and also have T-Rex mentioned somewhere in the title.

"This band was created to perform Bolan's great songs. We never had any intention to upset anyone. We perform, in our opinion, the most dynamic T-Rex show in the world."





See Also

Thursday 26 June 2008

Jape - Ritual

"Songwriting keeps me sane," so declared Jape, aka Richie Egan, in a recent interview with The Irish Times. "What gets me through the night, so to speak, is songwriting."
Like any set of actions or regular imposed religious event, Egan's ritual has become the pouring out of his head and heart through synth effects, guitars, weird, humorous lyrics and electronic beats. On this, his third album as Jape, he's got better at it. Much better.
While 2003's 'Cosmosphere' bore hints of an emerging talent, 2004's patchy 'The Monkeys In The Zoo Have More Fun Than Me' at least cemented the fact that Egan was capable of twisting his gift for melody around interesting dabs of guitar and electronica, often to spectacular effect. Opener 'Floating' stood a mile apart from anything else he'd previously done and pointed to a future great album in the offering.
In the intervening four years since, Egan has enjoyed mixed fortunes. 'Floating' was memorably covered by Jack White's Raconteurs outfit, bringing Egan to the attention of record labels and media in the UK. After a mini-bidding war and with 'Ritual' near completion, Egan elected to sign with V2 in early 2007. Not long after however, the label went bust and Egan's songs currently reside with independent label, Co-Op.
The intervening years has seen his songwriting improve two-fold; while he's also brought more focussed structure to his experimentation. Breaking it down, 'Ritual' is at its heart a pop record - and in the most brilliant sense of the genre; Egan tripping through the various emotions which have pushed each song out, with bags of melody and increased BPM. Throughout he takes us up and down like a great DJ might, though crucially the 'down' tracks are amongst the best on 'Ritual'.
Proceedings get underway at a measured pace with 'Christopher and Anthony', before Egan really shows off his new confidence and skill with his electronic toys on the sharp, dance-floor stomper 'I Was A Man' - 'Ritual's indie-hit in waiting. LCD Soundsystem's James Murphy will be green with envy.
'Graveyard' and 'Replays' fizz as the feast of danceable pop continues to flow, before Egan displays a different shade to his songwriting. A natural storyteller, the stripped back acoustic 'Phil Lynott' is an undoubted highlight, mixing humour and seriousness through raw, emotional thoughts as Egan reflects: "One day I will be a dead man who plays the bass from Crumlin/ Like Phil Lynott".
The simple 'At the Heart of All of This Strangeness' is arguably the album's finest moment with Egan's vocal at its emotive best as he plucks a gorgeous melody from an acoustic guitar, while pausing for added affect at pivotal moments in the song. It's a genuinely great melancholic song of loss and feeling lost.
The beats come crashing back with added attitude on the electro strut of 'Strike Me Down', before the journey comes to dream-like conclusion with the spacey 'Nothing Lasts Forever', a song about death and religious ritual, which brings the album full-circle.
Throughout there is little room for boredom on 'Ritual', Egan ensuring the listener rarely stays on one course, instead drifting down electronic side streets at varied pace. There's not a bad song here and 'Ritual' should see off all other competition to be named the Irish album of 2008. Where Egan takes Jape from here will only be interesting.
Steve Cummins

Monday 16 June 2008

Alanis Morissette's Entanglement Tastes Good...

Flavours of Entanglement cover art


Flavours of Entanglement is the 7th studio album from Alanis Morissette and unequivocally one of her greatest. Although Alanis has stated in previous interviews regarding her first original album in 3 years that she had been writing diaries with ideas and lyrics since 2004, it has been said that she actually started writing for the album around 18 months ago, the same time she split from fianc� Ryan Reynolds. Hell hath no fury like a woman scorned.
As reported in Billboard last December, Alanis says of the album,"Our emotions align themselves with larger symptomatic things in the world. We face a large war out there, but [the album] more closely reflects the war in peoples' living rooms... the icy silence at home, versus the big cold war." And it shows. The album can best be explained as raw, whether peaking with moments of rage and anger, or lulling at times with extreme sorrow, raw emotion reflecting the situations people go through everyday seeps through the speakers and slaps you in the face.
Opening track �Citizen of the Planet� has a spiritual, Middle Eastern melody akin to something played in meditation sessions, combined with Alanis� distinctive vocals that jut between sombre whispering and the screaming we are used to ala �You Oughta Know.� Definitely one of my favourite Alanis tracks full stop, let alone on the album.
The debut single from the album, �underneath� is about how we must change within before we can change the world- �there is no difference in what we�re doing in here, that doesn�t show up as bigger symptoms out there�. With a catchy loop, beats and chorus (and a great message too), this song is a winner in my book.
�Straightjacket� is a madonna�esque electro-synth sound with a strong bassline and some very agro lyrics. Following which is �Versions of Violence�, another heavy bass-driven beat and hauntingly powerful vocals. Think Alanis Vs Evanescence.
It�s almost as if the aggressive based songs and the calmer, ballad-esque songs are interjected all through the album, as soon as you get fired up, Alanis sings so delicately about a break up and you find yourself sobbing on the couch with a glass of wine reflecting on the mistakes of your past.
The piano-based ballad �Not As We� is an example of the above. Without a doubt one of the highlights of the album, this song sees new and old Alanis fans alike viewing her in a new light. Not only are we privy to her extensive vocal range, the passion in the performance is really effectual. Anyone who�s been through a hard break up can most certainly relate. �Torch� utilises the piano once again, as Alanis sings the song of loss once again.
Another album highlight is �Moratorium�, another electro driven, bass heavy melody with haunting vocals and a great chorus. It�s a song about taking a strike on all things relationship, which given the rest of the albums subject matter, tends to fit in.
All in all, Flavours of Entanglement is a rollercoaster of emotion and sounds and yet another perspective on the artist that keeps on getting better. Listening to the album from start to finish, you won�t know whether to get up and dance, throw your glass at the wall or cry in a corner. I guess a great artist can do that to you.
"Citizen of the Planet" � 4:22
"Underneath" � 4:10
"Straitjacket" � 3:08
"Versions of Violence" � 3:36
"Not as We" � 4:45
"In Praise of the Vulnerable Man" � 4:07
"Moratorium" � 5:35
"Torch" � 4:50
"Giggling Again for No Reason" � 3:48
"Tapes" � 4:26
"Incomplete" � 3:30